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2020 |
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Interweave, The Saint-Gaudens Memorial, Cornish, New Hampshire |
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Duett, Logoi Institut für Philosophie und Diskurs, Aachen, Germany (with Michael Kukla) |
2019 |
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Noir/Blanc, Maison des Arts, Bages, France |
2016 |
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Géométrie Variable,
Galerie Dupré & Dupré, Beziers, France (with Michael Kukla) |
2013 |
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Zwischenräume, Pro Arte Ulmer Kunststiftung, Ulm, Germany |
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Duet, Tenri Cultural Institute, New York, NY (with Michael Kukla) |
2011 |
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Zeichnungen, Galerie Gudrun Fuckner, Ludwigsburg, Germany |
2010 |
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Drawings, Hosfelt Gallery, San Francisco, CA |
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Coptic Light, Smack Mellon, Brooklyn, NY |
2009 |
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3 Räume / 3 Rooms, KunstBüroBerlin, Berlin, Germany |
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Malibu, New York Public Library, New York, NY |
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ART Karlsruhe, KunstBüroBerlin, Karlsruhe, Germany |
2008 |
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Visible/Invisible, Galerie Mourlot, New York, NY |
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Off the Grid, Academy Art Museum, Easton, MD |
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Unknown, Dust Gallery, Las Vegas, NV |
2006 |
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Fieldwork, Kentler International Drawing Space, Red Hook, Brooklyn, NY |
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The Imperfect Grid, Trustman Art Gallery, Simmons College, Boston, MA |
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Boston Drawing Project, Bernard Toale Gallery, Boston, MA (with Jacqueline Ott) |
2005 |
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Less is More, Dust Gallery, Las Vegas, NV (with Jennifer Riley) |
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Hoferer / Hobler-Keene, Kenise Barnes Fine Art, Larchmont, NY |
2004 |
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Drawings, OH+T Gallery, Boston, MA |
2003 |
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Ayr, Sandler Hudson Gallery, Atlanta, GA (with Ilene Sunshine) |
2002 |
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Fliegenmuster, Galerie im Kunsthaus Erfurt, Germany |
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2024 |
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100 Women of Spirit, Zürcher Gallery, New York, NY |
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11 Women of Spirit, Zürcher Gallery, New York, NY |
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This is the Future of Non-Objective Art, Atlantic Gallery, New York, NY (curated by Suzan Shutan) |
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Plexus: Intricacy of Lines, Kentler International Drawing Space, Brooklyn, NY |
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Sommer Konkret, Logoi Institut für Philosophie und Diskurs, Aachen, Germany (curated by Joachim Griess) |
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Coleccion Sagnier, Galeria Cadaques Dos, Cadaques, Spain (curated by Mercedes Vicente) |
2023 |
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Summer Whites, Jetsam Studio, Southampton, Long Island, NY |
2022 |
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Lumen, Art Bages, Galerie Latuvu, Bages, France |
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Summer Show, JHB at Jetsam Studio, Southampton, Long Island, NY |
2021 |
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Kunst Konkret, Logoi Institut für Philosophie und Diskurs, Aachen, Germany (curated by Joachim Griess) |
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21: Notre Siècle, Château Vargoz, Sérignan, France |
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Focus on the Flatfiles: Alt Solutions, Kentler International Drawing Space, Brooklyn, NY (curated by Joanne Howard) |
2020 |
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30/30, Kentler International Drawing Space, Brooklyn, NY (curated by David Houston) |
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Relocation, AS Projets, New York, NY and Paris, France (curated by Jill Connor) |
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Post Covid, Galerie Latuvu, Bages, France |
2019 |
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Everyday Perfection, Albany International Airport Gallery, Albany, NY |
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LOTaplomb, Kunstraum, Hochdorf, Switzerland |
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Gallerist's Spirit, Galerie Dupré & Dupré, Beziers, France |
2018 |
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Focus on the Flatfiles: Water Reflections, Kentler International Drawing Space, Brooklyn, NY |
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Transitions, Project ART Space, New York, NY |
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Lot, Atelier rue du Soleil, Fraïssé des Corbières, France |
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Matériel, Chateau Vargoz, Serignan, France |
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Plus One, Project ART Space, New York, NY |
2017 |
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When We Were Young: Rethinking Abstraction, University Art Museum, Albany, NY |
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The Small Big Show, Drawing Rooms, Jersey City, NJ |
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Drawing on History: The National Drawing Invitational: A Retrospective Exhibition,
curated by Ann Wagner, Curator of Drawings, Arkansas Arts Center, Little Rock, AK |
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Patterning, Kentler International Drawing Space, Brooklyn, NY curated by Samantha Friedman,
Assistant Curator in the Department of Drawings and Prints at The Museum of Modern Art, New York |
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The Summer Show, DM Contemporary, New York, NY |
2016 |
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Nearly Uniform: Contemporary Silverpoint Drawings, Dorsky Gallery Curatorial Programs, Long Island City, NY |
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Indian Summer Show, DM Contemporary, New York, NY |
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Abstraction Squared, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ |
2015 |
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Papier/Paper V - Zeichnung, Clement Schneider, Bonn, Germany |
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Drawing with Metal, Patrick Heide Contemporary, London, England |
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Carte Blanche, Pentimenti Gallery, Philadelphia |
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National Silverpoint Invitational, Hearne Fine Art, Little Rock, AR |
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Stack/file, Kentler International Drawing Space, Brooklyn, NY (curated by Ana Torok, Guggenheim Museum, NY) |
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Metalpoint Now, Garvey/Simon Art Access, New York, NY |
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Musing Metallic, The Curator Gallery Chelsea, New York, NY |
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Aqui e Agora, Atelie Ale, Sao Paulo, Brazil |
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47th Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR |
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Bazarte, Atelie Ale, Sao Paulo, Brazil |
2014 |
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PapierPapier, Galerie Gudrun Fuckner, Ludwigsburg, Germany |
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Made at Saltonstall, CAP Art Space, Ithaca, NY |
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46th Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR |
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Material Grid, Garvey/Simon Art Access, New York, NY |
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The Appearance of Clarity, Black and White, Helen Day Art Center, Stowe, VT |
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Expo D’Été, Chateau Vargoz, Serignan, France |
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Beyond the Grid/Into the Sublime - A new view of Minimalism, Columbus Museum, Columbus, GA, |
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and Shannon and Emmy Lou P. Illges Gallery, University, Columbus, GA |
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Nation II, Sideshow Gallery, Brooklyn, NY |
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On/Off the Grid, Garvey Simon Art Access, New York, NY |
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Be Here Now, 308@156 Project Artspace, New York, NY |
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One Word: Plastics, Sandler Hudson Gallery, Atlanta, GA |
2013 |
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Sideshow Nation, Sideshow Gallery, Brooklyn, NY |
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Le Cycle et la Vague, Chateau Vargoz, Serignan, France |
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Inside Out, Kentler International Drawing Space, Brooklyn, NYC (curated by Laura Phillips, Whitney Museum) |
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Plain Notebook Project, Gymnasia Herzlia, Tel Aviv, Israel |
2012 |
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Seasonal Color, Case Study at Terminus 100, Atlanta, GA |
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Heart + Art, DM Contemporary, New York, NY |
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Material Occupation, University Art Museum, Albany, NY (catalogue) |
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Mic Check: Occupy, Sideshow Gallery, Brooklyn, NY |
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Paper Band, Jason McCoy Gallery, New York, NY |
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Of White, Nuartlink Gallery, Westport, CT |
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Textility, Visual Arts Center of NJ, Summit, NJ (catalogue) |
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The White Show Part Two, Pittsburgh Center for the Arts, Pittsburg, PA |
2011 |
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Extended Drawing, Tegnerforbundet, Oslo, Norway |
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Silver: Point of Departure, Susan Tinney Gallery, Nashville, TN |
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Drawing Gifts 8th Annual Benefit Auction for the Drawing Center, Phillips de Pury & Company, NYC (catalogue) |
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Sommerausstellung, KunstBüroBerlin, Berlin, Germany |
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Black and White; extreme value, NYIT Gallery 61, New York, NY |
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Fullhouse, Galerie Gudrun Fuckner, Ludwigsburg, Germany |
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Marked Differences / Selections from the Kentler Flatfiles, Kentler International Drawing Space, Brooklyn, NY |
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The 2011 Paper Biennale, Amataras Foundation, Sofia, Bulgaria (catalogue) |
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Divergent Affinities, Wexler Gallery, Philadelphia, PA |
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The White Show, Clarion University Art Gallery, Clarion, PA |
2010 |
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Modern Drawings: Tracing 100 Years, Academy Art Museum, Easton, MD |
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Summer show, Galerie Jan Dhaese, Gent, Belgium |
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Inaugural Show, Heather James Fine Art, Jackson, Wyoming |
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Novemberausstellung, Galerie 5 Räume, Ludwigsburg, Germany |
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Stuck Up, Islip Art Museum, East Islip, NY |
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Wall Drawing, Hosfelt Gallery, San Francisco, CA |
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Black and White, Metaphor Contemporary Art, Brooklyn, NY |
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Luminous Lines: Contemporary Drawings in Metalpoint, , Scripps College, Claremont, CA |
2009 |
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Apparently Invisible: Selections Spring 2009, Drawing Center, New York, NY |
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Attention to Detail, Heather James Fine Art, Palm Desert, CA |
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2009 International Incheon Women Artists' Biennale, Seoul, Korea |
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The Coldest Winter I Ever Spent Was A Summer In San Francisco, Hosfelt Gallery, San Francisco, CA |
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Black and White, Hosfelt Gallery, New York, NY |
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New Work , Hosfelt Gallery, New York, NY |
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Office Space, Rockland Art Center, Nyack, NY |
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Beyond the Fray, Artsites, Riverhead, NY |
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Reinventing Silverpoint, Kentler International Drawing Space, Brooklyn, NY |
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Reinventing Silverpoint, Connecticut College, Cummings Art Center, New London, CT |
2008 |
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White Out, Gallery 66, New York, NY |
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Office Space, New Art Center, Newton, MA |
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3.Biennale der Zeichnung, Kunstverein Eislingen, Germany |
2007 |
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Variations in Black and White, BAM Brooklyn Academy of Music, Brooklyn, NY |
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Künstlerkreis Ortenau, Galerie im Artforum, Offenburg, Germany |
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White as Color, Tengelsen Gallery, Art League of Long Island, Dix Hills, NY |
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Chance and Necessity, Kentler International Drawing Space, Red Hook, Brooklyn, NY |
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Pattern vs. Decoration, Hosfelt Gallery, San Francisco, CA and New York, NY |
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Paved Paradise, Allen Gallery, New York, NY |
2006 |
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Saltonstall Exhibit, Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY |
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Afloat, Overtones, Los Angeles, CA |
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Architectural Elements, Dust Gallery, Las Vegas, NV |
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Art on Paper, Weatherspoon Art Museum, University of North Carolina at Greensboro, NC |
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Winter Salon, Lesley Heller Gallery, New York, NY |
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The Presence of Absence, Gallery W 52, New York, NY |
2005 |
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National Drawing Invitational, Arkansas Arts Center, Little Rock, AR |
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Summer Show, The Tank, New York, NY |
2004 |
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Black, White and Inbetween, OH+T Gallery, Boston, MA |
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Drawings, Sandler Hudson Gallery, Atlanta, GA |
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Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR |
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Staccato, Jeffrey Coploff Fine Art, New York, NY |
2003 |
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Pins and Needles, John Michael Kohler Arts Center, Sheboygan, WI |
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Underscore Understated, Patricia Sweetow Gallery, San Francisco, CA |
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Frequencies, Marist Art College Gallery, Poughkeepsie, NY |
2002 |
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Layered, Jeffrey Coploff Fine Art, New York, NY |
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NY/B, Galerie sphn, Berlin, Germany |
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Post-Systemic Art, Hunterdon Museum of Art, Clinton, NJ |
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Ordinate/Coordinate, Kenise Barnes Fine Art, Larchmont, NY |
2001 |
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Subtle, Workspace, New York, NY |
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Farbiges Weiss, Galerie Kemper, Munich, Germany |
2000 |
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Winter Paper, Catherine Moore Fine Art, New York, NY |
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Space •Time • Links, Alte Spinnerei, Baar, Switzerland |
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Surface Tensions, Spaces, Cleveland, OH |
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Skin Deep, Gallery Korea, New York, NY |
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Flurry, Rotunda Gallery, Brooklyn, NY |
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2023 |
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Loft Nota Bene, Cadaques, Spain |
2019 |
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Loft Nota Bene, Cadaques, Spain
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2016 |
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Yaddo, Saratoga Springs, NY
|
2015 |
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Dora Maar House, Menerbes, France
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2014 |
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MacDowell Colony, Peterborough, NH |
2013 |
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Loft Nota Bene, Cadaques, Spain |
2012 |
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Pollock-Krasner Foundation, Grant |
2011 |
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VCCA-France, Moulin a Nef, Auvillar, France |
2010 |
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Virginia Center for the Creative Arts, Amherst, VA |
2009 |
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New York Foundation for the Arts, NYFA Fellowship |
2008 |
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Change, Inc., Robert Rauschenberg Fellowship |
2007 |
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MacDowell Colony, Peterborough, NH |
2006 |
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Edward Albee Foundation, Montauk, NY |
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Loft Nota Bene, Cadaques, Spain |
2005 |
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MacDowell Colony, Peterborough, NH |
2004 |
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Pollock-Krasner Foundation, Grant |
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Fundacion Valparaiso, Mojacar, Spain |
2002 |
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Djerassi Foundation, Woodside, CA |
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Edward Albee Foundation, Montauk, NY |
1999 |
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Millay Colony for the Arts, Austerlitz, NY |
1998 |
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The Saltonstall Foundation, Ithaca, NY |
1997 |
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Artist in the Marketplace (AIM 17), Bronx Museum of the Arts, NY |
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Edward Albee Foundation, Montauk, NY |
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Academy Art Museum, Easton, MD |
Arkansas Arts Center, Little Rock, AR |
Bellagio Collection, Las Vegas, NV |
Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA |
Cap Z, New York, NY |
Collection at Coventry, Fort Washington, PA |
Columbus Museum, Columbus, GA |
Maxine and Stuart Frankel Foundation for Art, Bloomfield, MI |
Houston Museum of Fine Arts, Houston, TX |
Werner Kramarsky, New York, NY |
Kupferstichkabinett, Staatliche Museen zu Berlin, Germany |
Memorial Sloan Kettering Art Collection, New York, NY |
Pro Arte Ulmer Kunststiftung, Ulm, Germany |
Saks Fifth Avenue |
Spiegel Foundation, Beverly Hills, CA |
University Art Museum, Albany, NY |
Weatherspoon Art Museum, The University of North Carolina at Greensboro, NC |
Zimmerli Art Museum, Rutgers, The State University of NJ |
Zurich Capital Markets, New York, NY |
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2001 |
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Zurich Capital Markets, One Chase Manhattan Plaza, New York, NY |
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2023 |
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Aujaleu Ed. Visite d'ateliers, La Rencontre, Montpellier, France, No 137 2022 |
|
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Lumen À Bages. L'Artvues, France, June/July |
2021 |
|
Tölke, Dirk. Where delicate precision remains alive. LOGOI |
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Rother, Sabine. Eine philosophisch-reale Beziehung zur Natur. AZ, November 18, 2021 |
2019 |
|
Jaeger, William. Everyday Perfection. Times Union, April 17, 2019 |
2017 |
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Biancolli, Ann."When we were young" at University Albany Art Museum. Times Union, October 19, 2017 |
2015 |
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Brazill, Meg. The Appearance of Clarity. Art New England. July/August 2015 |
2014 |
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Torok, Ana. stack/file. Selections from the Kentler Flatfiles. June/July 2014 |
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Brazill, Meg. The Appearance of Clarity. Art New England. July/August, 2014 |
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Whitman, Arthur. Made in NY. Ithaca Times. June 18, 2014 |
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Feaster, Felicia. A group show where plastic is material of choice. The Atlanta Journal-Constitution. 5-12-2014 |
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Cullum, Jerry. Recycling plastics in the name of art. Arts ATL. May 22, 2014 |
2013 |
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Clark, Vicky. The White Show (exhibition catalogue), Clarion University of Pennsylvania, 2 |
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Arnold, Florian L, Ansprache an verborgene Ebenen des Sehens, Neu-Ulmer Zeitung, June 25, 2013 |
2011 |
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Clark, Vicky. The White Show (exhibition catalogue), Clarion University of Pennsylvania, 2011 |
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Edgy Crafts, Philadelphia Inquirer, January 16, 2011 |
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Killinger, Astrid. Kunstwerke an den Fenstern. LKZ, December 10, 2011 |
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Volles Haus in Ludwigsburg. Sur, December 2011 |
2009 |
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Becker, Jenny. Atem des Lichts, Tagesspiegel. October 22, 2009 |
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Thiele, Carmela. ART Karlsruhe "Reiz der Idylle", Tagesspiegel. March 7, 2009 |
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Thiele, Carmela, Megan. Die Lust des Bilderaufspuerens, Badische Neue Nachrichten. March 6, 2009 |
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Apparently Invisible: Spring Selections 2009, The Architect's Newspaper. March 4, 2009 |
2008 |
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Garwood, Megan. Marietta Hoferer: Visible / Invisible at Galerie Mourlot, M/The New York Art World, 11.2008 |
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Ermen, Reinhard. 3. Biennale der Zeichnung. Kunstforum Bd. 192/2008 |
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Leisten, Georg. Papierkrieg der Lineaturen. Stuttgarter Zeitung 27.5.08 |
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Böttcher, Ursula. Die Zeichnung ist ein weites Feld. NWZ 23.6.08 |
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Keene, Jarret. Sticky Fingers. Las Vegas City Life |
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Peterson, Kristen. Out of tape, plastic and a ‘motel’. Las Vegas Sun |
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Fagan, Sarah E. Office Space. Artscope Jan/Feb 2008 |
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McQuaid, Cate. Working artists. The Boston Globe |
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Bergeron, Chris. Turning office clutter into art. Daily News Tribune |
2007 |
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Das scheinbar Konstruktive ist nur eine Taeuschung. Badische Zeitung |
|
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Hagedorn, Jutta. Von Raum, Licht und der Schrift.. Offenburger Tageblatt |
2006 |
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Riley, Jennifer. Marietta Hoferer Fieldwork. The Brooklyn Rail |
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Frank, Peter. Two Three-fers. LA Weekly |
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Twardy, Chuck. The Ideal and the possible. Las Vegas Weekly |
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Peterson, Kristen. Structures come to life in Architecture Show. Las Vegas Review Journal |
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Peacock, Leslie Newell. Groundbreakers in the 10th Drawing Invitational. Arkansas Times |
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Twardy, Chuck. Dust Gallery boasts smart pairing. Las Vegas Weekly |
|
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Yowell, Erika. Less is more at Dust Gallery. Las Vegas Mercury |
2004 |
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McQaid, Cate. Transporting their art past the merely lovely. The Boston Globe |
2003 |
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Adams, Olaniyan. Introductions 2003. www.stretcher.org/archives |
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Cullum, Jerry. Fresh ‘Ayr’ in experiments with space. The Atlanta Journal-Constitution |
2002 |
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Johnson, Ken. Layered. New York Times |
|
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Bischoff, Bydan. A kaleidoscope of wit and whimsy. The Star-Ledger |
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Sienzant, Tony. Post-systemic art brings new life to the ordinnary. The Express-Times |
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Opitz, Silke. Zweckfreie Zwecke. Thueringer Allgemeine, Feuilleton |
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Koenig, J. Musterhafte. Spielarten. Thueringer Allgemeine |
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Peukert, Brigitte. Ein “Worteppich...”. Thueringer Landeszeitung |
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Peinhardt-Franke, Ingrid. Kunstspaziergang. Aachener Nachrichten |
2001 |
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Johnson, Ken. Subtle. New York Times: November 23, 2001 Art Guide |
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Jerry Cullum. Lots of variations within ‘Repetition’. The Atlanta Journal-Constitution |
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Cathy Byrd. Repetition. Creative Loafing |
2000 |
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Utter Douglas. The Untouchables. Cleveland Free Times |
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Johnson, Ken. Flurry. New York Times, Art Guide p.E54 |
1997 |
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Cotter, Holland. A Flock of Fledglings, Testing Their Wings. New York Times |
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